V i s u a l A r t S t u d i o / 208 W. Broad St. / Richmond, VA
Visual Art Studio is an artist run Contemporary Fine Arts Gallery and Painting/Photography Studio representing Established and Emerging Local, Regional and National Artists. Rotating Exhibitions open with an Artist Talk followed by a showcase of Painting, Photography, Works on Paper, Sculpture, and Mixed Media. Museum Quality Pieces and Installations create something for everyone when combined with Exceptional Emerging Talent. The Gift Shop features a fun selection of Handmade Jewelry, Ceramics, Prints, Cards and Decorative Art. Consultations with Curatorial and Design Services, Drawing and Painting Classes, Portraits, Commissions, Scenic Art and Set Decorating can also be arranged with the gallery. Visual Art Studio, established in 1990, registered in 1996 and currently celebrating twelve years on Broad Street, is located at 208 West Broad Street in Historic Downtown Richmond, VA proudly along the First Fridays Art Walk.
Gallery Hours: Tuesday-Friday,Noon-6p.m. Saturday Noon - 4 p.m.
First Friday 7-10PM
Appointments (804) 644-1368. Convenient Off-Street Parking.
Click on EXHIBITION and ARTWORK PAGES at the BOTTOM.
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Patchwork Undone (above) by Sally Valentine opens this First Friday July 3rd at Visual Art Studio.
Please also join us for the opening reception of Ladies to Lunch, new paintings by Kay Shuster and Bad Boys, new sculpture by Jim McHenry. Visual Art Studio wishes you and your family a Happy July 4th! (gallery on holiday Sat.)
Wood Works, new carvings by Oscar Sanchez continues through August 7th.
Out of the Shadows, new paintings by Chris Semtner closed Friday May 29th but select pieces remain for a limited time at Visual Art Studio! Statement below. More: www.csemtner.com Select Pieces from Illusions in Reality, new photography by Peter Thaxton, Sea Features, new jewelry by Denise Bell and select landscape paintings by Dan Belanger continue through First Friday August 7th.
Masterpiece of the Month by Sam Grantham.
Doors open at Noon. Reception 7-10PM. Klezmer, Gypsy and Yiddish style music graciously provided by My Son the Doctor.
Light refreshments benefit the nonprofit promoting the Downtown Arts District First Fridays, Curated Culture.
Free and open to the public.
Antiques and Flea Market Second Saturday July 11th from 8am-2pm. Visual Art Studio is doing it's part to encourage you to recycle, reuse and shop local! Chris Semtner Statement April 3 - May 29, 2009
Imagine yourself sitting alone in a room, watching the afternoon shadows creep across the wall. You feel as if somehow you are not alone. A vague sense of menace lurks just beneath the surface. Semtner’s paintings of interiors capture these silent moments when the world seems somehow unreal. His works avoid the depiction of external action in favor of the suggestion of an unseen action taking place somewhere just outside of our view.
Although his works are built upon such dynamic compositions of which any formalist abstract painter would be jealous, he is primarily a narrative painter, who has more in common with writers and story tellers than with most of today’s visual artists. This being the case, we can regard the figures in his paintings as characters in the midst of a story for which we, the viewer, are provided neither the beginning nor the end. These characters, be they mysterious femme fatales or delicate femme fragiles, are dominated and driven by the competing impulses of desire and fear. The environments in which they are depicted (winding old staircases, long dark hallways, and the like) are as much characters in these dramas as the people.
Chris Semtner is an internationally exhibited artist who currently serves as Curator of the Edgar Allan Poe Museum as well as Co-Chair of the Exhibitions Committee at Artspace Gallery in Richmond. His paintings have entered many private and public collections including those of the University of Maryland Department of Entomology and the City of Baltimore's Poe House and Museum. His photographs have appeared in several publications including the London Daily Telegraph (U.K.) and Rue Morgue Magazine (Canada). Semtner has written and/or edited four books on literature and popular culture and has published numerous short stories. He has spoken before several arts and civic groups on the subjects of art and literature and has taught a class on Poe at the Lifelong Learning Institute in Midlothian, Virginia. He has been a guest critic for art classes at Virginia Commonwealth University and has lectured before the RavenCon convention, the Alliance France’, the Hanover Area Arts League, and other groups. Semtner, serving as Curator of the Edgar Allan Poe Museum, has been interviewed on the subject of Poe in print, television, and radio in the United States, Canada, Japan, and the United Kingdom. The exhibits Semtner designed for the Poe Museum have garnered the attention the Washington Post and the London Daily Telegraph. Semtner’s conservation work has included the repair and stabilization of a sixteen-foot-long scale model of 1840’s Richmond and of plaster sculptures from the studio of nineteenth century sculptor Edward Valentine. In his free time, Semtner studied dental anatomy and physiology and took a course on dental ceramics at the Tanaka Institute. He has served on the boards of the Greater Richmond Tourism Association and of Artspace Gallery. Semtner is a graduate of Virginia Commonwealth University and the Pennsylvania Academy of the Fine Arts and currently lives in Richmond, Virginia.
GALLERY HOURS: Tuesday - Friday, Noon - 6 P.M.
Saturday Noon - 4 P.M.
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Fruit Sale by Dan Rhett (above). His exhibition, Alfa, runs First Friday June 5 - August 7th at Visual Art Studio. 208 W Broad St. / Richmond, VA / 23220 / 804.644.1368 See the entire exhibit online! http://gallery.cafe64.net/
Rhett continues his tradition of moving us with his epic and often humorous paintings of cafe goers, mermaids and seaside themes. Come early for first dibs from this popular Chester artist. His previous 3 exhibitions of 25-30 paintings each show are almost completely sold out. His work is in homes across the U.S. and as far away as Australia.
Ladies to Lunch, new paintings by Kay Shuster, City Dwellers, new paintngs by Sally Valentine and Bad Boys, new sculpture by Jim McHenry opens First Friday July 3rd.
Wood Works, new carvings by Mexico City native Oscar Sanchez continues through First Friday August 7th. Please join Oscar Sanchez, Kay Shuster, Dan Rhett and many of the gallery's artists at the reception this Friday. They look forward to meeting you and discussing their work with you!
Illusions of Reality by Peter Thaxton has taken images we've seen many times and has put them into a form which only exists in an illusion, a world where anything is possible. Colors in harmony and discord, shapes in line and freeform, scenes to start or end a journey, all combine to give a visual treat and evoke emotion. This is the second installment of the Reality Trilogy.
Sea Features by Denise Bell uses Hand Carved Lip Shell, Black Bamboo Coral formerly exclusive to Tiffany's, Abalone Shell, Mother of Pearl and Fresh Water Pearl accented with Swarovsky crystals and glass, precious metals and gems to create her Timeless and Chic Jewelry. www.veilsofcolor.biz
New Switchplate Covers by TH Collectibles is featured in the boutique and a mixed media painting by Sam Grantham is the selected art work for the Masterpiece of Month Series.
Select peices from the second installment of the Fantasy in Reality Trilogy, Illusions of Reality, new photography by Peter Thaxton and Sea Features, new jewelry by Denise Bell continues through First Friday August 7th.
Antiques and Flea Market
Second Saturday July 11th from 8am-2pm.
They say one man's trash is another man's treasure. Come find your treasure Second Saturday in July at Visual Art Studio!
More than a dozen vendors with Antiques, Collectibles, This and That in the parking lot beside Visual Art Studio. Free Admission! 10AM Klezmer, Yiddish & Gypsy style music by My Son the Doctor.
12Noon Acoustic Guitar and Percussion by Elana & Rod Hyner.
1PM Free Gallery Talk, Making Custom Wall Hangings by Jean Gonzales. For more quilting info please visit www.quiltcare.ning.com
10' x 10' Space $30. Please call Anne at 804.644.1368 for more details and information on reserving your space.
Free Admission includes Complimentary Music and Gallery Talk!
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An increasingly smaller selection of Paintings from D'Signs, paintings and prints of popular Richmond Signage by Terrie Powers are still on display through First Friday August 7th.
D'Signs by Terrie Powers Take another look at the old signs up and down Broad Street, Rt. 60 and Jeff Davis Highway. Terrie Powers salutes the designers of old Richmond signage in these colorful documentary depictions. She brings these neon-and-iron bits of nostalgia to life with cropping, color and an animated vibrancy, to make us see what many of us have merely looked at in passing all of our Richmond lives.
Brandy Horvath has floral postcards and gift sets of her new photographs perfect for giving your loved ones for any occasion.
Linda C. Hollett-Bazouzi has beautiful miniature landscape paintings for less than $100 currently on display. Come see for yourself or visit www.lindahollett.net Miniature paintings less than $100 are also available by Kay Shuster, Phoebe Antrim and Terrie Powers. Other items include pottery by Cindy Walker, jewelry by John Crutchfield and Katherine Benner, handmade scarfs and purses and, of course, lots of artwork! ____________________________ NEXT FIRST FRIDAY July 3, 2009
Alfa, New Paintings by Dan Rhett.
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Please check out recent press:
Woodturners Exhibition As the Wood Turns:
http://www.richmond.com/arts-entertainment/24593
___________________________________________ Great story about First Fridays in the Richmond Times-Dispatch June 6th: http://www.inrich.com/cva/ric/entertainment/arts.apx.-content-articles-RTD-2008-06-06-0026.html
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Softly September, oil by Cathyann L. Burgess and 3 Dimensional oil on panel by Michael Gettings with sculpture by Allen Jessee displayed Sept/Oct. 2007. There are still some great artworks available from this exhibition. Please visit the gallery or call 804.644.1368 for more information.
Michael Gettings - Artist Statement
I am striving to create a new method to visually express figurative storytelling. I combine this with a traditional approach to the figure in oils while using a Baroque sensibility. I am looking for the height of the drama, as the story begins to unfold. As part of this new method, my paintings also explore the discrete nature of human vision; how we focus on individual parts of a scene, while the brain filters the gestalt. This is expressed in the composition by using multiple panels and viewpoints. Thematically, my works focus on western myths, legends and biblical stories. Like many artists in the past, I aim to update these stories to conform to contemporary times and culture.
“History, myth, vision, and memory”
My inspirations are: Caravaggio for his reach into the viewer’s space, mastery of drama and light, and how stories were depicted as contemporary scenes. Frank Stella and Elizabeth Murray’s fracturing of the traditional pictorial space inspire the physical structure of my works. The “New Media” by constantly bombarding us with numerous images and messages through the use of multiple windows, scrolls and changing content.
Cathyann L. Burgess - Softly September from the River Watch Series
In the midst of turmoil, I am drawn to the river. Acknowledgements of life, constant yet ever-changing abound. The open skies and water invite contemplation of things greater than me. Today the water shimmers, a golden backdrop for the meeting of two indigo cormorants scoping their next dive perched on a giant river stone. Tomorrow, the morning hush will be presented in veils of Prussian blue. There before me is order in the chaos of my days. Timeless in its beauty, the river ordinary becomes a glorious song of joy which beckons me and heals. Wonder widens as the river, crowding out despair.
I live near the banks of the James River. I spend each day walking its course, driving over it at the golden hours and wanting to paint the moments in which I am most struck with awe. I have tried to be honest in my translations through oil paint of the world I presently inhabit. I hope it soothes the viewer and satisfies in some small way the craving for beauty and peace that seems to us all too elusive these days.
Cathyann L. Burgess - Artist Statement
One of art’s functions is to vivify the particular. Primarily, my art is figurative; exploring light and color through people or objects that interest me. It is all about the light. Most often it is the light that attracts me; how it plays on form, enlivening or defining shapes and colors. Most recently, I have come to love painting the natural world as much as portraiture and still life. Painting is delightfully magical. In this riverside series called River Watch, I wanted to depict the river’s significance to me. The titles also reflect either a direct description or the allusion to the feeling that comes over me as observer. If I can succeed in moving but one person through my efforts then my time would have been well spent. ________________________________________ Interviews & more Information available by calling Anne at (804) 644-1368 or visiting www.cathyannstudio113.com Cathyann L. Burgess has artwork in the permanent collection of Media General and the Federal Reserve Bank. _____________________________________________ Allen Jessee - Artist Biography/Statement
Richmond Sculptor Allen Jessee is featuring his nature-inspired wall hangings and sculpture through Friday, October 26, 2007 at Visual Art Studio. Jessee's works, known for incorporating flora and fauna, often with humorous and whimsical titles, are geared to the garden element, working mostly in aluminum and bronze, and creating timeless pieces such as garden gates, wall hangings, benches, screens and tabletop sculptures. His most recent commissions include a series of ten Egyptian-inspired bronze screens for the new Healing Garden at the Massey Cancer Center, and a limited series of James River-inspired tabletop sculptures titled "King of the James", for Virginia Commonwealth University. A native of Southwestern Virginia and graduate of VCU, Jessee spent his early years exploring the nature-laden banks of the Clinch River, where he developed a lifelong love of nature, and a deep reverence for its beauty. Most recently, he introduced "Walks of Art", taking his sculpture onto the ground in the form of custom designed, colored and textured concrete walkway art. Checkout more of Allen Jessee's work at http://www.mcsdesignandproduction.com/allenjessee/ BOOKS!
Richmond artist & author Michael Bollinger has created written apparitions of poetry and short stories in his new book currently available at Visual Art Studio.
Kathryn Starke's new book, "Amy's Travels" teaches lessons based on the Virginia Standards of Learning for kindergarten through 5th grade, including relative locations, cardinal directions, the seven continents, maps and varied world perspectives. For more information please call Anne at Visual Art Studio, 804.644.1368.
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Editorial by Richard Burriesci I went into Anne's Visual Art Studio to see her on an associate matter. Whoa! a new piece entitled ORIGINAL SIN by Florida Artist Doug Sutherland struck my attention. I attended St. Sebastian's School in Woodside, Queens, L.I., New York so I immediately recognized the martyr on the right. I audibly affirmed "San Sebastian" even though Mr. Sutherland did not title his piece in honor of this pierced saint. The female counterpart would more than insinuate that it was not Sebastian. She too, was pierced with many arrows that protruded from the three-dimensional masterpiece duet. Sutherland says "I try to use subjects and images, sometimes from "Art History," that are archetypal and timeless and blend them with subjects and images that have personal meaning and personal value, with a little social satire thrown in sometimes. In essence I try to marry the personal and the universal, in an attempt to create works that hopefully are as interesting and relevant at the time they are made as they will be several hundred years from now." I was there again on FIRST FRIDAYS and overheard another gallery fan exclaim, "Oh look, honey, there's St. Sebastian!" Ergo, Mr. Sutherland, your art IS getting the attention it deserves and you so desire. Even though viewers may get the title of your work wrong they are none the less disappointed or less amazed. Richmonders can gather the family in their car or take the city bus to Anne's Visual Art Studio in historic downtown Richmond and see a gallery of delectable artworks by Doug Sutherland, Jack Reilly (who by the way, sold one of his artworks to the famous comedian Steve Martin) Dan Belanger, Ian Macleod and numerous other outstanding artists currently on view. http://www.thelincolnstudio.com/Anne_Visual_Art_Studio.html
Doug Sutherland
This digital work is based on the Renaissance painting depicting Saint Sebastian by Andrea Mantegna. Sebastian was punished for following his faith by being bond and shot with arrows. According to legend he survived the attempted execution because none of the arrows pierced his vital organs. He became the patron saint against infectious disease. In this work of mine there is also reference to William Tell archery and risk taking with the arrow through the apple. The title Original Sin was inspired by some information I was given in a lecture by a couple of sociologists in northern California many years ago. I have not been able to confirm the information myself, but the idea still fascinates me. They brought up the concept that the idea of sin in the Christian religions was appropriated from the sport of archery. The non-scoring outer area of the target allegedly is referred to as the sin and if you miss your target you have sinned. In my piece this idea is referenced by the presence of the archery target and arrows. Sebastian, archery William Tell, Renaissance painting, and digital computing technologies combine to try to make a statement about the relevance of tradition and masterpieces from the past in today’s complicated electronic driven society. I have chosen to make the figure of Sebastian interchangeable from male to female to bring up the idea of the changing role of gender in the world today. Many roles that were predominantly male until just a few decades ago are now shared almost equally by men and women. The scenery in the piece is a combination of background from the original painting and scenes in the Tampa Bay Florida area. I tried to maintain the layout of the original work while mixing old and new, historical and personal. - Doug Sutherland 2008
"Reilly has created quintessentialy postmodern work"
Nancy Ann Jones, ARTWEEK
"Reilly's work is clear, self possessed and has a visual seductiveness." William Wilson, LOS ANGELES TIMES
"Meticulously plotted designs become abstract, enormous works of art through out-there color paletted and almost sculpture-like presentation."
Aly Comingore, THESANTA BARBARA INDEPENDENT
Most well Know in California and New York, Visual Art Studio is honored to be able to bring the work of Jack Reilly to Richond. His paintings are owned by comedian Steve Martin, the Frederick Weisman Foundation and the Oakland Museum of Art to name a few. Each painting consists of thousands of brush strokes, painted in acrylic polymers and metallic pigments on a shaped canvas structure based on mathematical and random geometric designs. His color compositions are emotional, intuitive and theoretical systems arranged in linear formats that interact with the shape of the canvas. Reilly's use of color and unique brushwork has been compared to the visceral quality of Byzantine mosaics and Gothic stained glass. The rich viscosity of his paint mixture/concoction results in fluid, wet-looking, reflective surfaces. These pieces comment on evolving issues that originated in twentieth-century abstract painting and continue into today's contemporary genres. Ultimately, Reilly sees these paintings as poetic objects of contemplation and a continuation of his explorations into the sensuality of color, luster and surface, combined with the dynamic power of line and structure.
Jack Reilly received his M.F.A. in 1978 and débuted his abstract paintings in Los Angeles in 1979. By the early 1980s, his work was exhibited in museums and represented by galleries throughout the United States. Articles and reviews on Reilly’s work have been published in Arts Magazine, ArtWeek, the Los Angeles Times, Los Angeles Magazine and in books including American Art Now and Inside the L.A. Artist. He is a recipient of a National Endowment for the Arts grant and numerous other awards. His work is included in numerous public and private collections. Be sure not to miss Painting in Shape, selected works on display at Visual Art Studio from the recent exhibition, Diamonds, at the Galerie Pavillion du Val de Grace, Paris American Academy, Paris France executed in acrylic polymers and metallic pigments on shaped canvases by World Renown California artist Jack Reilly was on display through October 31, 2008. www.jackreilly.com
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Select pieces remain for a limited time from Denise Bell, Peter Thaxton, Michael Bollinger, Dan Belanger, Terrie Powers and Cindy Johnson at Visual Art Studio. Alfa opens First Friday June 5th at Visual Art Studio through First Friday August 7th. DAN RHETT has many artistic talents ranging from card game creator and painter to the cover artwork on the premier issue of CAVE WALL. See the issue and read poetry from it at www.cavewallpress.com.
RHETT primarily works in oils with figurative subject matter often working back and forth from sketchbooks and paintings to develop ideas. Most notably, he paints from his imagination rather than sketching from life or photographs. He earned a BFA in Painting and Printmaking from VCU in 1990. More of Rhett's artwork is available to view at: http://gallery.cafe64.net/ His work is represented in private collections throughout Virginia and the Mid-Atlantic Region.
Jumping Through Hoops April - May 2008
Richmond artist Karen Kain already paints with two hands, has already explored the space between two brushes, between two lines, however up to this moment, they have both been hers! For the First Friday May 2 reception of Jumping through Hoops, How I Slept my way to the Top, Kain gave an artist talk at 7pm discussing the new direction her work is taking as she begins to develop and show a new creative process and a new body of collaborative work. For the remainder of the evening, there will be a table set up with Asian brushes, sumi ink and rice paper, so you can try your hand at being one of the hands for a painting!
New artwork by participating artists was featured through Friday May 30th 2008 in Jumping through Hoops, How I Slept my way to the Top, tongue in cheek mixed media adventures by Anne Hart Chay with special guest artists Eric Garner (nonobjective painting), Karen Kain (works on paper and limited edition prints), Katherine Benner (fiber art) and Nick Sullivan (photography). Jumping through Hoops, How I Slept my way to the Top challenges our definitions of what is the "top," the struggle, the silence and the prayers with a humorous twist that explores universal feelings like the promises of tomorrow and the lies we tell ourselves as we continue to jump through all those hoops hoping to make it to the top.
Karen Kain – Artist Statement
As an artist I generally aim to capture what I dub the muscle of negative space. If negative space is the visual space between the outer edges of two bodies, then the muscle of negative space is the magnetic push or pull between these edges. The space which, as it increases or decreases, characterizes each moment in a relationship. These small yet surprisingly life size forces commonly slip away unnoticed, squandered, yet they are what engross me and implore me to paint. For years I have worked with two hands simultaneously to harness the power of that "force-field" between them, as illustrated in this show by the linoblock print: Then you wake, and your fingers fill with meanings and the painted digital print: What is hidden in our chests? Laughter (on display). Up to this point those two hands have generally been my own. That is about to change!
The Asian brush was developed and refined to leave the trace of the spirit of a man on paper. Not unlike the way a comet leaves a trail in the sky. Mightn’t it be equally capable of capturing the spirit of the relationship between two people? After all, why couldn't painting mirror directly something of the unique space that exists between two individuals at any given time? Is the negative space between two people made up of shared history, or simply merging energies of a moment? In this show I explored both:
VIRTUAL TWOS - Shared History: Three weeks ago with the theme Jumping through Hoops, How I slept my way to the Top in mind, I put out a letter to my twenty closest friends, relatives and lovers--the people who have gotten "under my skin" and made me who I am today--requesting the return of a postcard with a single line made thinking of a moment shared with me. The response was overwhelming, and the lines far more complex than anticipated. It became such a joy to collect the mail every day! In the end, I had barely time enough to compose them all together on one painted print Karma-Go-Round (on display) and then peer down upon them all in another: The Seed Market (on display). Several unlikely companions are found in Three Short Stories: Boy Meets Girl (on display) as well, all on display at Visual Art Studio- including the postcards.
REAL TIME TWOS – Energies Mingling: Next, I engaged three artists I already knew who could work with me directly in the studio, one with a shared history (20Yrs –above-right), one I had never met, and two friendly acquaintances. Up to four of us at a time simultaneously laid down ink lines on the receptive rice paper.
I have determined to cultivate the process that would allow a twosome to paint in harmony--yet true to themselves, each other and the composition. These encounters have helped me define the collaborative process that honors the best characteristics of the materials, the makers, and the moment. The joy of this process has given me a thirst for creating more work in this way which will be on display through May 30 at Visual Art Studio.
*Special Thanks to Anne Hart Chay for the invitation, I had HEAPS of fun playing in and around your theme! Also to the Artists who shared the sheets (of paper!) with me: Rosanna Lopez Haugh, Scott Haugh, Catherine Venable, and Tim Saukiavicus.
BIOGRAPHY
Captivated by the consciously awkward grace of Zen monks painting in the Zenga tradition, Kain rounded out her arts degrees from Brown University and the Art Institute of Chicago apprenticing with brush painter and noted Zen translator Kazuaki Tanahashi, culminating in a style and working method all her own. After a lengthy period of mental preparedness, Kain invents new calligraphic characters from live figure models in seconds. Ironically, while she wields ancient calligraphy brushes in both hands with spontaneous finesse, her nudes themselves remain vulnerably armless, giving form to the spaces within and between each of us, addressing questions of love and coupling and our ultimate aloneness. As well as having been selected to show at the Asian Cultural Center in New York City, her solo show in Perth, Australia last year means she can now claim to have exhibited both internationally and bi-hemispherically. Currently, when she is not in Australia painting, exhibiting and studying the powerful work of aboriginal painters, she still sleeps sandwiched contentedly between her cat and her dog in her Richmond Northside home. So far, her attempts to paint with these companions have not born productive results.
by Dan Rhett opens First Friday June 5th at Visual Art Studio.
Shellion, Rhett's previous exhibition of scenes cast with coastal creatures closed with most of the show selling. Please visit the gallery at Visual Art Studio to see more art work by this prolific and popular Chester artist.
CLICK on EXHIBITION PAGE BELOW for IMAGES FROM PREVIOUS EXHIBITIONS: Images from "Visions by the Water," "Rosegill Barn" color photograph by Cloyde Wiley of Lynchburg, VA. and "Into the Mist" by Susan Singer, oil on canvas as well as images from NOVEMBER/DECEMBER 2004 Exhibitions: "16 Moves for a Beach Ready Body" by Michigan artist Wade Eldean, "F.I.N.E. : Fiber in Nearly Everything" by D.C. area artists Ann Liddle, Julie Booth, Anne Buchal, Ann Citron, Maria Simonsson and The Naked Artist, Dodie Ortland are on the Ehibition page. Dodie Ortland currently has work on display in the gallery at Visual Art Studio, 208 W. Broad St. Richmond, VA. Gallery Hours: Tues. - Fri. Noon-6PM, Sat. Noon-4PM. After Hours by Appointment.
MEET SOME OF VISUAL ART STUDIO ARTISTS FIRST FRIDAYS THROUGHOUT THE YEAR. VISUAL ART STUDIO IS OPEN THE FIRST FRIDAY OF EVERY MONTH.
Please call Visual Art Studio at (804) 644-1368 with your inquiries.
Click on EXHIBITION and ARTWORK pages below.
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